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[NaNoWriMo] Post-event pep talk from Peter Carey


Dear Writer,

Writing is the easiest thing in the world. Anyone can do it. It's like hitting a tennis ball against a wall. It's like swimming. Anyone can learn. You don't have to be the best. You don't need to compete in anything. On the other hand, you may aspire to be a celebrated star.

Like swimming, like playing tennis, there are people writing at all levels. If you just want to amuse yourself writing the weekends, just keep on keeping on. If you want to bash out a novel, you need no more advice than to keep on keeping on.

 

But if you dream of making something original and beautiful and true, if you imagine seeing your book reviewed, or in the window of a book store, you're in the same position as the ambitious swimmer—you've got a lot of training to do, a lot of muscles to build, a lot of habits to start establishing right now, today.

 

If you know what these good writing habits are, there's nothing more I can give you. Perhaps you know what I'm going to tell you—you have to write regularly, every day. You have to treat this as the single most important part of your life. You do not need anything as fancy as inspiration, just this steady habit of writing regularly even when you're sick or sad or dull. Nothing must stop you, not even your beloved children. If you have kids you do what Toni Morrison did—write in the hours before they wake. If you wish to be a like the champion who swims for four hours every day of the year, you will need extraordinary will. You either have this or you don't, but you won't know unless you try .

 

Let's say you (quietly, secretly) want to be a genius. Then you must teach yourself to be self-critical. Trust me—your own uncertain opinions are worth one hundred times more than the judgments of your friends. Your friends love you and are may be very smart. But they cannot imagine what you have not yet imagined. So don't show them stuff you fear may not be right.

 

If you feel at all unhappy with your work, there is a good reason for it. Trust your judgment. Write the draft again, and again. This is the strength you must build—to work alone, in solitude, and write and rewrite and rewrite. Even when you finally succeed in making the original work you wished, you will still live with doubt and uncertainty. All writers learn to live with this. In this way you and I feel exactly the same about our work today.

 

If you ever read one of my books I hope you'll think it looks so easy. In fact, I wrote those chapters 20 times over, and over, and over, and that if you want to write at a good level, you'll have to do that too.

 

That is the first half of the good habits you must develop.

 

Here's the second half.

 

First, turn off your television. The television is your enemy. It will stop you doing what you wish to do. If you wish to watch TV, you do not want to be a serious writer, which is fine.

But if you do pull that plug you've just created time for that exercise which is going to build up your writing muscles like nothing else. It's called reading. Perhaps you are already reading good books for several hours a day, in which case you don't need me to preach at you. Forgive me. I only mention this because I have met an extraordinary number of beginners who don't think they need to read anything too much.

 

I don't doubt these people enjoy their writing, and perhaps they will even get to publish something. But you can not play the top game without reading every day. There are so many extraordinary books waiting for you, some writing by living writers, the majority by those a long time dead. This is not because writers used to be better than they are now, but because a lot of generations have come before us and we would be crazy not to know what miracles they achieved.

 

Some of the great books are about people with lives just like you. Some will have characters you can 'identify' with, but some of the very greatest will tell stories you could never have imagined, were written in languages you cannot speak, and tell the stories of people like none we have ever known.

 

Now you've killed the TV, you should invest in a very good dictionary.

 

I know it is a major drag to stop reading and look up a word in a dictionary, but it is less of a drag than continuing to read not knowing what the story really means. No-one wants to do it. I never want to do it, but it is always worth the trouble. In my own case I often write the new word down, not because I am stupid, but because it helps me remember it.

 

So what books should you read if your greatest aim is to lift your game?

 

Clearly "Goose Bumps" is not going to help you in your ambitions, but where to start, where to continue the adventure you're already on?

 

I'd suggest a wonderful new book by Francine Prose, "Reading Like a Writer."

 

Go buy this now. You may already be a disciplined, talented original writer but you will not be sorry to read this for two hours tomorrow.

 

-Peter Carey

 You can learn more about Peter Carey's writing at his website.

 


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[NaNoWriMo] Homestretch pep talk from Chris

Next Pep Talk from NaNoWriMo. Enjoy!


Dear Writer,

We're closing in on the final lap of NaNoWriMo. Just one weekend left! From my perusal of the NaNoWriMo forums, it looks like we've now split into three groups.

Group One: The Superheroes. You put in your 1667 per day, and your word-count graph has grown tall and mighty like a redwood forest. You're currently sprinting through the 40,000s, and you'll win handily. You're the NaNoWriMo equivalent of an ultra-marathonner, and your discipline puts you in the top 3% of Wrimos everywhere. 

Group Two: The Come-Back Kids. You are part of the vast middle. You're still bushwhacking through the 20,000s or making the trek through the 30,000s. It's going to take some work, and you'll probably validate your novel at the very last minute, but victory is still in sight. Update your time zone (under user settings) so the Validator is there when you need it, and keep on trucking. 

Group Three: The Go On Without Me's.
For you, November turned out to be a very bad month to try and write a novel. Life went completely crazycakes, and you faced a never-ending series of demanding work or school projects, health emergencies, social obligations, and/or tech meltdowns. You managed to get a few good ideas down on paper, but never quite found your novel's rhythm. You're thinking of bowing out, and planning on giving it a try next year.  

If you're a Superhero, I offer you the highest of high-fives. The word-count Validator is now live under Edit Novel Info, and it's eager for you to come paste a scrambled version of your 50,000-word (or longer!) manuscript into its maw and hit the Submit button. Your purple winner bar, winner's certificate, and other goodies await.  

To the Come-Back-Kids: I am so with you. I somehow fall 10,000 words behind pace every year. I also win every year, and you can too. Easy-peasy. Our path to victory lies in huge word-count days. The sooner you knock out your first 5,000-word day, the happier you and your book will be. Don't wait until the last minute! To help get some momentum, allow yourself to write the juiciest, word-filled climactic scenes still to come in your book, even if it requires some skipping ahead. Start writing as soon as you finish this email.   

For the Go On Without Me's: This is going to sound really weird, but you're in the best shape of all three groups. You're off the map, but that's the point of this escapade. NaNoWriMo is to there to put you in such an impossible situation that you can stop worrying about perfection and achievement and just savor the thrill that comes with making and doing. Think of the remaining days in NaNoWriMo as an anything-goes creative retreat. You sacrificed your novel to the world around you this month, and the world around you appreciated it. But you now get some time for you. You may not write 50,000 words, but you still have plenty of time to create something smaller and equally wonderful. Return to the page—there's still a beautiful adventure waiting for you.

To everyone: Have a great final lap of NaNoWriMo. Write like the wind! We're almost home.

Warm noveling regards,

Chris
30,001 words
 

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Filed under  //   essay   nanowrimo   novel   novel writing   november   pep talk   writing month  

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Demand Media - 4000 articles per day

WIRED Magazine posted an interesting article on an interesting company with the mantra of 'Go Big'. Demand Media seems to be achiving this goal with the 4000 articles and videos they publish daily soon they will be within the top15 American online companies just next to Amazon. Read the article here. Here is a slideshow:

Demand Media
View more presentations from Web2 Expo.

And an interesting video

.

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Just a gem of humour for badly treated Designers

A true gem via Guy Kawasaki. If you are one of those slave like designers, just put it on your background image and gather to courage to get away.

designer badly treated message

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Filed under  //   bad employer   black humour   designer   steve jobs  

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Week Four pep talk from Robin McKinley

Just another Peep Talk from NaNoWriMo. Enjoy and Write!


Dear writer,

As I write this less than twenty-four hours before NaNoWriMo’s deadline for this pep talk, I also have a book due in eight days. Not just due. Absolute, final, already overdue, my-editor-is-a-patient-woman-but-publishing-schedules-are-publishing-schedules, due.

When NaNoWriMo contacted me last April about writing a pep talk for this year's masochi—er—enthusiastic writers, I had just decided to whack PEGASUS in half and make two books out of it. I have always been a write-each-draft-straight-through-and-don’t-look-back storyteller; it’s the way I develop a feel for the pacing, for where the high and low, careening and meditative, places of each story are—and how I discover where and how it's going to end. Consistency and clarity (and spelling) begin to emerge in the second draft;  there are a lot of complete re-rewrites and outtakes during the second draft, and probably the most-per-page screams of frustration: the first draft has told me that the story is there but now I have to make it work on the page. The third draft should mainly be giving the story a really good brushing and plaiting its mane and tail—but there are hazards even here (ask anyone who has ever plaited a mane or a tail), nor is it likely to stand quietly for this operation.  

Some time last winter, still on the first draft and beginning to panic, I... stopped. I did not write straight through to the end. I went back to the beginning and started on the second draft as if I knew what I was doing—as if I knew how it ended. I seriously don't know how PEGASUS ends. I won't know till I get there. And I didn't finish the first draft, so I didn't get there. I've never started a second draft without having finished a first draft—without knowing how it's going to end.  I've never split a book into two books...
Writing is like this. 

Oh, not exactly like this; every writer is different as every human being is different, one from another. (Some writers make their deadlines. Some writers know where they're going. Some writers don't mind not knowing where they're going.) But the chief thing I would like to get over to you, as you look to me to say something inspiring about this maniac—I mean, this energizing and felicitious project to write a first draft of a novel in a month, is the liveness of Story, and therefore the unpredictability inherent in writing any story down. 

You need that live, tensile, surprising strength between you and the story you're trying to write, or it'll die on the page. But this doesn't make it easier. It makes it harder. It's more exciting—more thrilling, more appalling: on good days you'll fly higher than a peregrine cruising for dinner, on bad days someone will have to scrape you off the floor with a spatula. This is what writing is like. You have to write on through the highs and lows, the careens and the meditations of your stories. And that's what you're here for now: to write. Go for it. Good luck.

So last April, when NaNoWriMo contacted me, I had decided that PEGASUS was two books, and had cheered up a lot.  My due date was the end of August—and for once in my life I was going to meet a deadline with no problem.  NaNoWriMo suggested I send my encouraging words to them by the beginning of August. Fine. Happy to. Thanks for asking.

I got to the end of the third draft of the first volume of PEGASUS on 13 September. But PEGASUS has not been one of the easy brush-and-plait ones. I’m still combing the burrs out. I am going to make it.  I am going to turn PEGASUS in on the 8th of October. I’m even going to get my pep talk in to NaNoWriMo by tomorrow.

If I can do these impossible things, you can do the impossible thing of writing the first draft of your novel in a month. It’s a first draft!  It does not have to be a thing of beauty!  Don’t worry about the spelling (or the consistency)! Just write it. I bet you can even get to the end, and find out what it is.

And may you have an absolutely brilliant time doing it. Writing can be the worst, and often is—but it can also be the best. May you come out of that month knowing what you want to do next, and eager to keep going. Try to remember the peregrine days on the days that your husband/wife/roommate/dog needs steel wool to get you off the floor. And keep writing: the only way you can learn how your stories work is by letting them tell you. By putting live words together.

Good luck. 

Robin McKinley
 


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Smash Fear, learn anything - Tim Ferris

A Video from Tim Ferris at TED Talk

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Filed under  //   coaching   entrepreneurship   fear   fearless   four hour workweek   opportunity   seminar   tim ferris   video  

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Measure Social Media ROI (Return on Investment) | Bit Rebels

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Filed under  //   facebook   return on investment   roi   social media   twitter   video  

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Buddhism Today

Subscribe to this great magazine online at www.buddhism-today.org

Buddhism Today aims to be a living document of authentic Buddhist transmission for the lay person and yogi practitioner in the West. It is meant for people leading normal, active lives,who wish to understand and experience mind's vast potential.

Buddhism Today will challenge your mind by providing information and news that appeal to the discriminating individual. No religious truth can be above science or humanism, and Buddhism Today's aim is to work with and to complement these areas of contemporary thought. For this reason, Buddhism appeals to educated, critically thinking people with fresh, independent minds — people for whom nihilism rings hollow and existentialism provides no joy. It is said that we live in "interesting times." To some these words reflect the degenerative nature of the modern world in which we live. But to us, these words are a call to action and a statement of renewal, an opportunity for seeing new possibilities and openings. In either case, we promise to expound joy and humanism above political correctness or dogmatic assumptions.

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Eight ways to kill an idea : FLIRTing with the Crowds

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[NaNoWriMo] Week Three pep talk from Kristin Cashore

Another NaNoWriMo peep talk. Hope you will enjoy.


---------- Forwarded message ----------
From: Kristin Cashore <nanowrimo_loves_you@nanowrimo.org>
Date: 2009/11/21
Subject: [NaNoWriMo] Week Three pep talk from Kristin Cashore


Greetings, fellow novelists!

So, now that you've been writing for a few weeks, here's my question. Have you started to realize what you've gotten yourself into? Is the realization accompanied by a creeping sense of panic?

If your answer is no, rock on. But if your answer is yes—if your novel has gotten more complicated than you ever thought it would—if you're not sure you've got what it takes to pull this project off—then I'm here for you today with a message, and the message is: don't panic. Don't panic! No one would ever do anything great if they knew at the outset what they were getting themselves into. And I happen to know, at the core of my soul, that you can do this. How do I know? Because I've been there, many times. Sometimes it feels like my permanent state of being. And you know what? I've learned that I'm capable of a lot more than I generally think I am—and you are, too.

A lot of people who don't write novels don't really understand what it's like. They think that something easy to read must have been easy to write. What a lark! How fun to just let your imagination run wild and jot down stories all day!

I suppose there's nothing wrong with these people. Doubtless, there are thousands of occupations I don't appreciate the complexity of. For example, doesn't it seem like it would be fun to be the weatherman? But, then, everybody expects you to predict unpredictable events, and when you get it wrong, everyone thinks you're a bozo. Plus, you probably have to sit still in a chair for ages every day while people do your makeup and spray smelly things into your hair.

Here's what it starts to be like for me somewhere in the midsection of a novel:

(1) I've written the beginning, but I'm pretty sure it's a pile of crap.

(2) The end, when I even dare to contemplate it, feels as far away as Uranus.

(3) The prose I'm writing right now, here in the middle, sounds like a stiff little busybody who's sat down too hard on a nettle.

(4) I've discovered that my plot, even if it's an engaging plot, has sections that are not engaging to write, and I'm bogged down in those doldrums sections, when all I want is to move on to the exciting parts that are just ahead but I can't, not until I've written the parts that will get me there. Boring!

(5) The house is strewn with post-it notes on which are written about a gazillion important reminders of things I must somehow remember to find a way to weave into the novel at some point, although, where, I can't imagine. Some of the post-it notes are written hastily in a code I have since forgotten. ("He is temperamentally sweet, but dangerous, like Jake." That would be very helpful, if I had the slightest idea to whom "he" refers, or if I knew anyone named Jake.)

(6) Worst of all, whenever I take a step back and try to examine objectively this unstructured mess that is half created and half still living in my head and heart and hope (and on a gazillion post-it notes)... I get this horrible, sinking feeling that my novel isn't actually about anything.

Does any of that sound familiar to you?

Listen. Learning to write 50,000 words means learning a whole pile of skills, but they're learnable skills, and you learn them by writing. One of those skills is finding your own technique for dealing with all the voices that are constantly telling you, in one way or another, what a bonehead you are and how bad you are at this and how doomed your project is. I'm not saying don't listen to the voices. Go ahead and listen to them— if you try to ignore them, sometimes they only scream louder. I'm only saying, don't believe them— and, most importantly, don't let them decide how you spend your day. Maybe laugh and give them a hug and say to them, "Yes, you're sad and lonely and desperate for my attention, aren't you? Well, thank you for visiting; stay as long as you need to; but, by the way, I think we're going to have to agree to disagree. Because I know I can do this, and, as it happens, you can't stop me. Want to sit with me at my desk while I show you what I mean?"

Self-doubt and fear are just part of the process. Those voices are never going to go away. Write anyway. Take a breath; go for a walk; look at the stars; listen to OutKast and shake it like a Polaroid picture; and then, sit down and write anyway. Incidentally, I think the fastest I've ever written 50,000 words was in about eight months. I don't actually keep track of word count, I just keep track of whether or not I'm making progress, and I think that's what NaNoWriMo is about: getting into the habit of making progress. And progress is something every writer needs to define for him- or herself. Throwing out the last twenty pages you just wrote can involve just as much progress as writing three new ones. So try not to beat yourself up if your novel makes it clear to you that you're going to have to shift your goals.

Breathe. Be kind to yourself. Don't panic. Take risks. Make messes. Decide every day that in your writing toolbox, next to the fear and self-doubt, you are also going to keep at least one tiny little seed of faith. That's all you need to keep going—one mustard seed. Keep tight hold on that faith, and keep writing.
 

-Kristin Cashore

You can learn more about Kristin Cashore's work here.


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